20/11/2017

The International Jew: Jewish Supremacy in Motion Picture World – TIJ 112017

tij 112017

Ted Midward presents part 18 in his series based on Henry Ford’s classic ‘The International Jew’ and this week ties up the loose ends of his investigation into how the movie industry has been used to degrade us and send us to sleep.

Who stands at the apex of this mountain of control? It is stated in the sentence: The motion picture influence of the United States -- and Canada -- is exclusively under the control, moral and financial, of the Jewish manipulators of the public mind.

Jews did not invent the art of motion photography; they have contributed next to nothing to its mechanical or technical improvement; they have not produced any of the great artists, either writers or actors, which have furnished the screen with its material. Motion photography, like most other useful things in the world, is of non-Jewish origin. But by the singular destiny which has made the Jews the great cream-skimmers of the world, the benefit of it has gone not to the originators, but to the usurpers, the exploiters. The Jews.

Narration and Commentary by Ted Midward


The International Jew: Jewish Supremacy in Motion Picture World – TIJ 112017




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